11/20/2022 0 Comments Mia khalifa timeflies lyric xxx![]() ![]() Views confirmed what many had already believed: that Drake’s playful-seeming reminiscences of women he missed were really starting to lack in charm and empathy. Hot 100 Chart Moves: Drake Moves Closer to Lil Wayne's Record for Most Appearances Among Soloists Worst of all, it was the second diss track Drake made in two days, after the dry run “Charged Up.” He had already hit Meek twice and was enjoying his Internet-validated victory, performing “Back to Back” at shows in front of a screen of Meek-dissing memes, when just two days later his stature as one of the biggest artists in the world was about to ascend even higher. Thus, Drake refocused the ire onto Meek’s tour with his far more commercially accomplished fiancée Nicki Minaj: “Is that a world tour or your girl’s tour?” Our protagonist devilishly implied that Meek can’t afford the good seats at Drake’s own shows. ![]() What they did care about was whether or not you looked uncool and out-of-touch. ![]() In a rap State of the Union moment as pivotal as Kanye’s 2007 chart defeat over 50 Cent, the court of public opinion ruled in favor of Drake that no one cares if you use ghostwriters. July 2015 was arguably the single biggest month of Drake’s career as it set into motion two events that proved how immortal he’d become: his Meek Mill beef and his biggest viral hit ever. He probably didn’t mean for his hive to go seek out the poor woman on social media, but this is where it became clear that Drake’s foibles weren’t as relatable as they may have seemed at first.ĭrake Shares a Candid Photo With Taylor Swift on Instagram No wonder her character is “passive-aggressive when we’re texting,” as their relationship appears to have been in the rearview long before Drake has the epiphany of making life “deeper than money, pussy, vacation.” But most infamous of all is when he complains that Courtney from Hooters on Peachtree had the bad manners to go and get engaged when Drake had earmarked her for the duty of completing him. “I love me, I love me enough for the both of us / That’s why you trust me / I know you been through more than most of us,” is just a… bold thing to have a woman sing. The chorus she was given is so jaw-droppingly devoid of reciprocity that one realizes Drake’s true innovation insofar as rap’s emotions was his bravery in allowing it to be on his own record. ![]() This spooky and sparse Nothing Was the Same highlight put Jhené Aiko in the unfortunate position of consoling Drake to the point of absurdity. “I’m lucky that you picked up / Lucky that you stayed on / I need someone to put this weight on.” There’s no emoji for what that unlucky woman probably felt in response. Maybe he believes that, maybe he doesn’t, but it’s hard to hang up from this call and ultimately feel that the woman already trying to get over him needed this shit right now. After all, what’s more quintessentially Drake than drunk-dialing one’s ex and inadvertently mentioning all the sex he’s been having since? “Marvin’s Room” set the stage for a string of Drake songs that are ultimately about his needs, even as he tells his ex that she could do better than him. “Marvin’s Room” was seen as an anomaly at the time, a six-minute, somewhat avant-garde, ambient-R&B lament, but it’s come to be known as the stereotypical Drake song. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |